Swaminarayan Satsang provides with all facilities of listening to pravachans, vachanamrutkirtanarti and swaminarayan dhun in daily life. The app is updated everyday with latest daily darshan images.
Also new baps pravachans are posted everyday ranging from all swami. The app gives a wide range of varities for users to listen with different kind of bhajans as per their mood.
We have also included gujarati language at some places so that it can be easy for users who are not familiar with using english as their first language. We hope this baps app fulfill allof your daily needs. If you think we can improve this app then please leave us a feedback and we will be happy to work on it. Jay Swaminarayan. Overview Specs. From BAPS Swaminarayan Apps: Swaminarayan Satsang provides with all facilities of listening to pravachans, vachanamrutkirtanarti and swaminarayan dhun in daily life.
How can you tell if an Android app is safe? Publisher's Description. Full Specifications. Screenshots Next Back.Follow GurukulParivar. Jay swaminarayan. Very nice. Aa brhmandma aa jivne uagarva jo maharaj khud padhare ane pachhi pan pragatpanu aava santo dware batave ane vandu sahajanad dware murtima lai javani khan koi batave aeva shree Purani Shree Hariswarupdasji Swamine mara koti koti pranam ane jay swaminarayan Swamiji is dealing with each topics I excellently.
Jay swaminarayan to purani hariswarudasji. I have wish to meet and want to do charan sparsh. I also suggest all your preach to other people who are from swaminarayan sect and those are from other sects.
Adbhut katha chhe Katha ae anantkoti brahmando ma pn NY Thai hoy tevi chhe Sathe sathe gurukul parivar no pn khub khub aabhar k jemna dwara aa kathe internet pat prapt Thai rahi chhe.
Jai shree swaminarayan Mare aa Vandu Sahajanand ras rup na badha video joi a che Answer mate mane email kari sakta cho. This question is for testing whether you are a human visitor and to prevent automated spam submissions. Memnagar Ahmedabad Gujarat India Pin: About Gurukul Introduction. Educational Activities. Tradition Bhagwan Swaminarayan.
Acharya Shree Raghuvirji Maharaj. Acharya Shree Ayodhyaprasadasji Maharaj. Sdg Shree Gunatitanand Swami. Sdg Shastriji Dharmajivandasji Swami. Jogi Swami Hariprakashdasji.
Sdg Shastri Madhavpriyadasji Swami. Activites Medical Welfare. Disaster Relief Work. Gurkul Darshan.Account Options Sign in. Top charts. New releases. Add to Wishlist. Jay Shree Swaminarayan Aksharvatsal Swami Katha pravachan Pu. Anandswarup Swami Katha pravachan Pu. Apurvamuni Swami Katha pravachan Pu. Atmatrupt Swami Katha pravachan Pu. Bhadresh Swami Katha pravachan Pu.
Brahmavihari Swami Katha pravachan Pu. Brahmdarshan Swami Katha pravachan Pu. Doctor Swami Katha pravachan Pu. Gyanvatsal Swami Katha pravachan Pu.
Swami Rajeshwaranand Pravachan ( Sita Charita)
Janmangal Swami Katha pravachan Pu. Mahant Swami Katha pravachan Pu. Pramukh Swami Katha pravachan Pu. Somprakash Swami Katha pravachan Pu.
Pravachans are usually on a religious theme, usually the life of a saint or a story from one of India's epics. Pravachans sometimes become very emotional. People who listen to Pravachans have become more tolerant of their brethren, a sense of giving and forgiving has been inculcated in them.
In the olden days Pravanchan pundits were often well versed in the Sanskrit language and educated and well trained in Veda Sastras and Vedanta. It is easier to listen to some Pandit or Purohit who is conducting a Pravachan to understand some of the scriptures. Basically the Pandit elaborates on the significance of the sloka or scripture he reads and gives several bhavas and angles to look at a single verse.
Pravachan, Harikatha, Kalakshepa, Upanyasam, Villuppattu are all similar in the sense they are interpretations and story telling on religious theme, yet they have different styles. South India has a long tradition of religious discourse.
Religious scholars such as Oduvars who were knowledgeable in religious scriptures used to render discourses in Temples and monasteries. Villuppttu, in which folk stories were told accompanied by a stringed instrument resembling a bow, was also popular in Tamil Nadu. A form of Kalakshepa, in which the story teller, usually proficient in Carnatic music, interspersed the main story with music, dance and sub-stories, was also prevalent.
Harikatha is a composite art form with story telling, poetry, music, drama, dance, and philosophy. Harikatha involves the narration of a story, intermingled with various songs relating to the story. Pravachan on the other hand interprets slokas and scriptures and does not involve as much singing.
A Pravachan can take several days to interpret a single line from a sloka. Paruthiyur Krishna Sastri's Rasanishyandini is an example of a detailed Ramayana explanatory work.
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Labels: guruosho hindi pravachanosho pravachanspiritualspiritual awakeningspiritual gurus of indiaspiritual indiaspiritual leaders of indiaspiritual quotesYoga. Newer Post Older Post Home.Katha or Kathya is an Indian style of religious storytelling, performances of which are a ritual event in Hinduism. It often involves professional storytellers kathavahchak or vyas who recite Hindu religious textssuch as the Puranasthe Ramayana or Bhagavata Puranafollowed by a commentary Pravachan.
Kathas sometimes take place in households, involving smaller stories related to the Vrat Katha genre. The didactic Shri Satyanarayan and Ramayana kathas instill moral values by revealing the consequences of human action karma. Each region of India has developed its own style and tradition of storytelling in local languages.
Epics and puranasancient stories of wisdom told in Sanskritare the story material common to most regions. Performances are given in temples and at weddings and other religious or social functions. The single performer should be versatile in exposition and able to interestingly narrate humorous anecdotes. The storyteller is seen as a teacher who is familiar with ancient texts in Sanskrit and other vernaculars and interprets the religious and mythological texts of the past to the present generation.
South India has a long tradition of storytelling and religious discourse. Religious scholarssuch as Oduvars, were knowledgeable in the scriptures used for discourse in temples and monasteries ; in Tamil Naduthis was known as Kathaprasangam.
Scholars such as Suki Sivam and Trichy Kalyanaraman perform in this style. The interpretation of a shloka depends on individual musical ability. PravachanPatakam, Upanyasam, HarikathaKalakshepa, Harikeerthan and Villupattu are interpretations and storytelling with a religious theme, in different styles. Wall paintings in temples and shrines across India also served the same purpose.
The propagation of Hinduism and the creation of awareness in worshippers of the characters of the deities were aided by katha with imagery in temples. Purana-Pravachana expounding the Puranas is a pravachan : a lecture about scriptures in which the pauranika pravachan pandit is a spiritual interpreter of the scriptures. Pravachans generally have a religious theme, usually the life of a saint or a story from an Indian epic.
It is easier to listen to a pandit or purohit who is conducting a Pravachan to understand some of the scriptures.Linea accessori abarth
Pandits such as Paruthiyur Krishna Sastri elaborate on the significance of a shloka or scripture they read, providing several angles to look at a verse or word. Upanyasa or Pravachanas focus on Sanskrit and Tamil texts. Music is used sparingly to recite the shlokas. Reading the shloka and presenting its meaning is the method used by pravachan pandits.
The 19th-century Paruthiyur Krishna Sastri provided interpretation and commentary for each verse; creating a new style, he is considered the father of pravachans.Chen fong model 6080
Pravachan, Patakam and Upanyasam can be synonyms for the narration of stories from epics and puranas and the interpretation of scriptures. In a variant, a storyteller proficient in classical musicinterweaves the main story with music, dance and digressions. Harikatha is a composite art form combining storytelling, poetry, music, drama, dance and philosophy.
In harikatha, a story is intermingled with related songs. In Andhra Pradeshfolk narratives are known as burra katha.
A burra is a drum shaped like a human skull burra means "skull". In this tradition, travellers narrate stories while beating the drum. In Tamil Nadu, folk narratives are known as Villu Paatu bow songs ; the stories are told accompanied by a stringed instrument resembling a bow. The stories are heroic ballads, and the medium is used to propagate social-welfare programmes such as AIDS awareness, family planning and election information. Kanian koottu and Udukkadipattu, prevalent in South Indian villages, are also folk storytelling traditions.
Tanjavur Krishna Bagavathar — sang with Paruthiyur Krishna Sastri — during his early Katha performances. Krishna Sastri later performed only pravachans with minimal music. Krishna Bagavathar continued his Kathakalakshepam and introduced Marathi metric forms, which became the standard for the next 50 years. Saraswathi Bai — and N. Krishna Bagavathar — were all inspired by Krishna Bagavathar's style and technique.Free Entertainment APP.
Doctor Swami Katha pravachan Pu.
Gyanvatsal Swami Katha pravachan Pu. Janmangal Swami Katha pravachan Pu. Mahant Swami Katha pravachan Pu. Pramukh Swami Katha pravachan Pu. Somprakash Swami Katha pravachan Pu. Thank You so Much Swaminarayan Katha Tags Entertainment.
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